Short Title	Full Title
	Adams 1987	Courtney S. Adams, ‘The Early Chanson Anthologies Published by Pierre Attaingnant (1528-1530)’, The Journal of Musicology, 5/4 (1987), 526-48.
	Alden 2010	Jane Alden, Songs, Scribes, and Society. The History and Reception of the Loire Valley Chansonniers (The New Cultural History of Music, series ed. Jane F. Fulcher), Oxford: Oxford University Press (2010).
	Anglés 1941	Higini Anglés (ed.), Monumentos de la Musica Española, I, Polifonía religiosa, Madrid: Ministerio de Educación (1941), 112-5.
	Atlas 1975-6	Allan W. Atlas, The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana C.G.XIII.27), Brooklyn, NY: Institute of Mediaeval Music (1975-6).
	Atlas 1977	Allan W. Atlas, ‘On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20)’, Musica Disciplina, 31 (1977), 45-105.
	Atlas 1978	Allan W. Atlas: ‘La provenienza del manoscritto Berlin 78.C.28: Firenze o Napoli?’, in Rivista Italiana di Musicologia, XIII (1978), 10–29.
	Barret 1981	Charles E. Barret, 'A Critical Edition of the Dijon Chansonnier: Dijon, BibliothĂšque de la ville, MS 517 (ancient 295)', Ph.D. diss., Nashville, TN: George Peabody College for Teachers of Vanderbilt University (1981).
	Becherini 1942-3	Bianca Becherini, ‘Alcuni canti dell’ “Odhecaton” e del codice fiorentino 2794’, Bulletin de l’Institut historique belge de Rome, 42 (1942-3), 327-48.
	Becherini 1950	Bianca Becherini, ‘Autori minori nel codice fiorentino Magl. XIX, 176’, Revue Belge de Musicologie, 4 (1950), 19-31.
	Becherini 1959	Bianca Becherini, Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze, Kassel - Basel - London - New York: BĂ€renreiter (1959), 42-4.
	Bellingham 1980	Bruce Bellingham (ed.), Bicinia gallica, latina, germanica. Tomus I, II. 1545 (= Georg Rhau, Musikdrucke, 6), Kassel: BĂ€renreiter (1980)
	Bent 1986	Margaret Bent, ‘Trent 93 and Trent 90: Johannes Wiser at Work’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 84-111.
	Bernstein 1973	Lawrence F. Bernstein, ‘La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano’, Journal of the American Musicological Society, 26/1 (1973), 1-68.
	Bernstein 1978	Lawrence F. Bernstein, ‘The “Parisian Chanson”: Problems of Style and Terminology”, Journal of the American Musicological Society, 31/2 (1978), 193-240.
	Bernstein 1982	Lawrence F. Bernstein, ‘Notes on the Origin of the Parisian Chanson’, Journal of Musicology, 1 (1982), 275-326.
	Bernstein 1984	Lawrence F. Bernstein (ed.), La couronne et fleur des chansons a troys, 2 vols. (= Master and Monuments of the Renaissance, 3), New York, NY: The Broude Trust (1984)
	Bernstein 1990	Lawrence F. Bernstein, ‘Melodic Structure in the Parisian Chanson: A Preliminary Study in the Transmission of a Musical Style’, in Eugene K. Wolf and Edward H. Roesner (eds.), Studies on Musical Sources and Style: Essays in Honor of Jan LaRue, Madison, WI: A-R Editions (1990), 121-89.
	Bernstein 2001	Lawrence F. Bernstein, ‘Chansons for Five and Six Voices’, in Richard Sherr (ed.), The Josquin Companion, Oxford & New York: Oxford University Press (2001), 393-422.
	Birkendorf 1994	Rainer Birkendorf, Der Codex Pernner. Quellenkundliche Studien zu einer Musikhandschrift des frĂŒhen 16. Jahrhunderts (Regensburg, Bischöfliche Zentralbibliothek, Sammlung Proske, Ms. C 120), 3 vols. (Collectanea Musicologica, 6/I-III), Augsburg: Wissner (1994).
	Birkendorf 1998	Rainer Birkendorf, ‘Bemerkungen zur Entstehung des Codex Pernner: Regensburg, Bischöfliche Zentralbibliothek, Cod. ms. C 120’, in Martin Staehelin (ed.), Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert (Quellenstudien zur Musik der Renaissance, 3; WolfenbĂŒtteler Forschungen, 83), Wiesbaden: Harassowitz (1998), 170-7.
	Birmingham 1955	Hugh M. Birmingham Jr., 'A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance', Master diss., Denton: North Texas State College (1955).
	Blackburn 1981	Bonnie J. Blackburn, ‘Two “Carnival Songs” Unmasked: A Commentary on MS Florence Magl. XIX. 121, Musica Disciplina, 35 (1981), 121-78.
	Boorman 1977	Stanley Boorman, ‘The “First” Edition of the Odhecaton A’, Journal of the American Musicological Society, 30 (1977), 183-207.
	Boorman 2006	Stanley Boorman, Ottaviano Petrucci: catalogue raisonné, Oxford: Oxford University Press (2006).
	Bosi 2004	Carlo Bosi, 'The Secular Works of Du Fay and Binchois: Melody, Mode, Sonority', Ph. D. diss., Oxford: University of Oxford (2004)
	Bosi 2017	Carlo Bosi “Zu Stil und Form einstimmiger Melodien um 1500 – Einige FĂ€lle in den Pariser monophonen Chansonniers”, in: Creatio ex unisono: Einstimmige Musik im 15. und 16. Jahrhundert, ed. by Nicole Schwindt (= troja, Jahrbuch fĂŒr Renaissancemusik, 13), 2017 for 2014, 81-103
	Bosi 2021	Carlo Bosi, “EspĂ©rance or: New Insights into the Origins of the Chansonnier de Bayeux“, Musicologica Austriaca (2021), http://www.musau.org/parts/neue-article-page/view/93;
	Bosi, Modal Usage, 2005	Carlo Bosi, ‘Modal Usage in the Secular Works of Du Fay’, in Revue Belge de Musicologie, 59 (2005), 5-42.
	Bosi, Tant que mon/nostre argent dura, 2005	Carlo Bosi, ‘Tant que mon/nostre argent dura: Die Überlieferung und Bearbeitung einer ‚populĂ€ren’ Melodie in fĂŒnf mehrstimmigen SĂ€tzen’, Acta Musicologica, lxxvii/2 (2005), 205-28.
	Brauner 1987	Mitchell P. Brauner, ‘The Manuscript Verona, Accademia Filarmonica, B 218 and Its Political Motets’, Studi Musicali, 16 (1987), 3-12.
	Bridgman 1984	Nanie Bridgman, ‘Paroles et musique dans le manuscrit Latin 16664 de la BibliothĂšque Nationale de Paris’, in Ursula GĂŒnther & Ludwig Finscher (eds.), Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts (Göttinger musikwissenschaftliche Arbeiten, 10), Kasel - Basel - London: BĂ€renreiter (1984), 383-409.
	Brobeck 2016	John T. Brobeck, “A Music Book for Mary Tudor, Queen of France”, Early Music History, 35 (2016), pp. 1-93
	Brown 1959	Howard M. Brown, ‘The Chanson rustique: Popular Elements in the 15th- and 16th-Century Chanson’, Journal of the American Musicological Society 12 (1959), 16-26.
	Brown 1963	Howard M. Brown, Music in the French Secular Theater, 1400-1550, Cambridge, MA: Harvard University Press (1963).
	Brown 1964	Howard M. Brown, ‘The Genesis of a Style: The Parisian Chanson, 1500-1530’, in James Haar (ed.), Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961, Cambridge, MA: Harvard University Press (1964), 1-36.
	Brown 1967	Howard M. Brown, ‘Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442’, in Jan La Rue (ed.) Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, London & New York: Oxford University Press (1967).
	Brown 1968	Howard M. Brown, ‘The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442)’, Acta Musicologica, 40 (1968), 115-29.
	Brown 1970	Howard M. Brown, ‘The Transformation of the Chanson at the End of the Fifteenth Century’, in Dragotin Cvetko (ed.), Report of the Tenth Congress of the International Musicological Society, Ljubljana 1967, Kassel: BĂ€renreiter (1970), 78–94.
	Brown 1981	Howard M. Brown, 'Words and Music in Early l6th-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442', in Ludwig Finscher (ed.), Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez (WolfenbĂŒtteler Forschungen, 6), Munich: Kraus (1981), 7-141.
	Brown 1983	Howard M. Brown, “A ‘New’ Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report”, Musica Disciplina, 37 (1983), 171-233
	Brown 1985	Howard M. Brown: ‘Josquin and the Fifteenth-Century Chanson’, Proceedings of the British Academy, 71 (1985), 119–58.
	Brown 1987	Howard M. Brown (ed. & intr.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a (= Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York: Garland (1987)
	Brown 1988	Howard M. Brown, Cambridge, Magdalen College, Pepys 1760 (Renaissance Music in Facsimile), London: Routledge (1988).
	Brown, A "New" Chansonnier, 1983	Howard M. Brown, ‘A “New” Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report’, Musica Disciplina, 37 (1983), 171-233
	Brown, Banco Rari 229, 1983	Howard M. Brown (ed.), A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale, MS Banco Rari 229, 2 vols.(Monuments of Renaissance Music, 7) Chicago and London: The University of Chicago Press (1983).
	Brown, Florence 164-7, 1987	Howard M. Brown (ed.), Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX. 164-167, 4 vols. (Renaissance Music in Facsimile, 5), New York: Garland (1987).
	Brown, London 20.A.XVI, 1987	Howard M. Brown (ed.), London, British Library, MS Royal 20.A.XVI (Renaissance Music in Facsimile: Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 10), London & New York: Garland Publishing (1987).
	Brown, Uppsala 76a, 1987	Howard M. Brown, (ed. & intr.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a (Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York: Garland (1987).
	Bukofzer 1942	Manfred Bukofzer, ‘An Unknown Chansonnier of the 15th Century’, Musical Quarterly, 28 (1942), 14–49.
	Bush 1946	Helen E. Bush: ‘The Laborde Chansonnier’, Papers of the American Musicological Society, Annual Meeting 1940, Richmond, VA (1946), 56–79.
	Canti C	Canti C: Numero cento cinquanta (Monuments of Music and Music Literature in Facsimile, 1, music, vol. 25), New York: Broude Brothers (1978).
	Casimiri 1937	Raffele Casimiri, ‘Canzoni e motetti dei sec. XV-XVI’, Note d’Archivio per la storia musicale, 14 (1937), 145-60.
	Chaillon 1953	Paule Chaillon, ‘Le Chansonnier de Françoise (Ms. Harley 5242, Br. Mus.)’, Revue de Musicologie, 35 (1953), 1-31.
	Chapman 1964	Catherine W. Chapman, 'Andrea Antico', Ph.D. diss., Cambridge, Boston: Harvard University (1964).
	Christoffersen 1994	Peter W. Christoffersen, French Music in the Early Sixteenth Century: Studies in the Music Collection of a Copyist of Lyons, the Manuscript Ny kgl. Samling 1848 2° in the Royal Library, Copenhagen, 3 vols., Copenhagen: Museum Tusculanum Press, University of Copenhagen (1994).
	Christoffersen, The Uppsala Chansonnier MS 76a	Peter Woetmann Christoffersen, The Uppsala Chansonnier MS 76a --> http://uppsala.pwch.dk/index.html
	Christoffersen, Uppsala 76a	Peter Woetmann Christoffersen, The Uppsala Chansonnier MS 76a (http://uppsala.pwch.dk/).
	Coeurdevey, Catalogue	Annie Coeurdevey, Catalogue de la Chanson Française à la Renaissance (http://ricercar.cesr.univ-tours.fr/3-programmes/basechanson/).
	Couchman 1980	Jonathan P. Couchman, ‘The Lorraine Chansonnier. Antoine de Lorraine and the Court of Louis XII’, Musica Disciplina, 34 (1980), 85-157.
	Coussemaker 1864-76 / R 1963	Edmond de Coussemaker (ed.), Scriptorum de musica medii aevi: novam seriem a Gerbertina alteram, Paris: Durand (1864-76); Reprint: Hildesheim: Olms (1963)
	Cummings 1983	Anthony M. Cummings, ‘A Florentine Sacred Repertory from the Medici Restoration (Manuscript II.I.232 [olim Magl.XIX, 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History’, Acta Musicologica, 45 (1983), 267-332.
	Cummings 1991	Anthony M. Cummings, ‘Giulio de’ Medici’s Music Books’, Early Music History, 10 (1991), 65-122.
	Cummings 2006	Anthony M. Cummings, MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164-167, Aldershot/Burlington, VT: Ashgate (2006).
	Curtis 1977	Alan Curtis, ‘Josquin and “La belle TricotĂ©e”, in Gustave Reese and Robert J. Snow (eds.), Essays in Musicology in Honor of Dragan Plamenac, New York, NY: Da Capo Press (1977), 1-8.
	Cuyler 1969	Louise E. Cuyler, “Georg Rhaw’s Opus decem missarum, 1541: Some Aspects of the Franco-Flemish Mass in Germany”, in: Jozef Robijns, Willem Elders, Roelof Lagas & Guido Persoons (ed.), Renaissance-Muziek 1400-1600. Donum natalicium RenĂ© Bernard Lenaerts (= Musicologica Lovaniensia, 1), Leuven: Katholieke Universiteit; Seminarie voor Muziekwetenschap (1969), 71-81
	Cyrus 2002	Cynthia J. Cyrus, “The annotator of the Lorraine Chansonnier and his taste in accidentals”, Early Music, 30/2 (2002), 189-200
	D'Accone 1970	Frank A. D'Accone, 'Some Neglected Composers in the Florentine Chapels, ca. 1475-1525', Viator. Medieval and Renaissance Studies, 1 (1970), 263-88.
	D'Accone, Aldini 362, 1986	Frank A. D’Accone (ed.), Pavia, Biblioteca Universitaria, Aldini MS 362 (Renaissance Music in Facsimile, 16), New York & London: Garland (1986).
	D'Accone, Turin Ris. Mus. I. 27, 1986	Frank A. D’Accone (ed.), Turin, Biblioteca Nazionale Universitaria, MS Ris. Mus. I. 27 (olim gm III. 59) (Renaissance Music in Facsimile, 18), New York: Garland (1986).
	D'Agostino 2008	Gianluca D'Agostino (ed. & transl.), Proportionale musices. Liber de arte contrapuncti, Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini (2008).
	Dobbins 1974	Frank Dobbins, “Jacques Moderne’s Parangon des chansons: A Bibliography of Music and Poetry at Lyon, 1538-1543”, Royal Musical Associatiom Research Chronicle, 12 (1974), 1-90
	Dobbins 2012	Frank Dobbins, "PoĂ©sie et musique pour François et Françoise (de Foix) : changement des genres et des maniĂšres de poĂ©sie chantĂ©e en musique", in: La poĂ©sie Ă  la cour de François Ier, ed. by Jean-Eudes Girot (= Cahier V.L. Saulnier 29), Paris: Presses de l’UniversitĂ© Paris-Sorbonne (2012), pp. 137-56: 137-44
	Epp 2000	Esther Epp, 'Popular Arrangements in the Petrucci Chansonniers', Ph.D. diss., Toronto: University of Toronto (2000).
	Facsimile Rothschild 2973	Facsimile Edition of Paris, BibliothĂšque nationale de France, Ms. Occ. Rothschild 2973, ValĂšncia: Vicent GarcĂ­a Editores (2007).
	Fallows 1986	David Fallows, ‘Songs in the Trent Codices: An Optimistic Handlist’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 170-9.
	Fallows 1993	David Fallows, ‘Polyphonic Song in the Florence of Lorenzo’s Youth, ossia the Provenance of the Manuscript Berlin 78.C.28: Naples or Florence?’, in Piero Gargiulo (ed.), La musica a Firenze al tempo di Lorenzo il Magnifico: congresso internazionale di studü, Firenze, 15-17 giugno 1992 (Quaderni della Rivista Italiana di Musicologia / Società Italiana di Musicologia, 30), Florence: Olschki (1993), 47–61 (also in Songs and Musicians in the Fifteenth Century, Aldershot: Variorum [1996], VIII).
	Fallows 1995	David Fallows, The Songs of Guillaume Dufay: Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. 1, vol. VI, Neuhausen-Stuttgart: American Institute of Musicology / HĂ€nssler Verlag (1995).
	Fallows 1996	David Fallows (ed.), The Songbook of Fridolin Sicher, around 1515. Sankt Gallen, Stiftsbibliothek Cod. Sang. 461, Peer: Alamire (1996).
	Fallows 2001	David Fallows, ‘Petrucci’s Canti Volumes: Scope and Repertory’, Basler Jahrbuch fĂŒr historische Musikpraxis, XXV (2001), 39-52 (and Composers and their Songs, 1400-1521, [Variorum Collected Studies Series], Farnham, Surrey; Burlington, VT: Ashgate [2010], XIX];
	Fallows 2005	David Fallows, ‘Josquin and Popular Songs’, Basler Jahrbuch fĂŒr historische Musikpraxis, 29 (2005), 161-71 (and Composers and their Songs, 1400-1521, [= Variorum Collected Studies Series], Farnham, Surrey; Burlington, VT: Ashgate [2010], XVII).
	Fallows 2008	David Fallows, Commentary to the Facsimile of the Manuscript Rothschild 2973 (l.5.13) in the BibliothĂšque nationale de France, ValĂšncia: Vicent GarcĂ­a Editores (2008).
	Fallows, Antoine Busnoys, 1999	David Fallows: ‘“Trained and Immersed in All Musical Delights”: Towards a New Picture of Busnoys’, in Paula Higgins (ed.), Antoine Busnoys: Method, Meaning and Context in Late Medieval Music, Oxford: Clarendon Press (1999), 21–50.
	Fallows, Catalogue, 1999	David Fallows, A Catalogue of Polyphonic Songs, 1415-1480, Oxford: Oxford University Press (1999).
	Fallows, et al. 2005	David Fallows, et al. (eds.), New Josquin Edition, vols. 27-30, Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (2005).
	Fallows, Petrucci, 2005	David Fallows, “I volumi dei canti di Petrucci: finalità e repertorio”, in: Giulio Cattin (Hrsg. & Einf.), Patrizia Dalla Vecchia (Hrsg.) & Marino Zorzi (Vorw.), Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing, Venice: Fondazione Ugo & Olga Levi (2005), 661-76
	Fenlon & Haar 1980	Iain Fenlon & James Haar, ‘A Source for the Early Madrigal’, Journal of the American Musicological Society, 33 (1980), 164-80.
	Fenlon 1995	Iain Fenlon, Music, Print and Culture in Early Sixteenth-Century Italy (The Panizzi Lectures, 1994) London: British Library (1995).
	Filocamo 2010	Gioia Filocamo (ed.), Florence, BNC, Panciatichi 27. Text and Context, transl. by Bonnie J. Blackburn (Monumenta Musica Europea, II/1), Turnhout: Brepols (2010).
	Finscher 1977	Ludwig Finscher, ‘Der Medici-Kodex: Geschichte und Edition’, Die Musikforschung, 30 (1977), 468-81, 472-3 & 479.
	Fox 1947	Charles W. Fox, ‘A Renaissance Music Manuscript in the Sibley Music Library’,Bulletin of the American Musicological Society, 9-10 (1947), 18-9.
	Freedman 1982	Richard Freedman, 'The Partbooks Vienna, Codex 18746 and the Identification of Hands in the Complex of Music Manuscripts of the Netherlandish Court', MA Thesis, Philadelphia: University of Pennsylvania (1982).
	Freedman 1991	Richard Freedman, ‘Pastourelle jolie: The Chanson at the Court of Lorraine, c.1500’, Journal of the Royal Musical Association, 116 (1991), 161-200.
	Friebel 2003	Michael Friebel, “Die Handschriften Wien, Österreichische Nationalbibliothek, Ms. 11883 und Vatikan, Biblioteca Apostolica Vaticana, Ms. Chigi, C VIII 234 als Vorlagen am burgundisch-habsburgischen Hof”, in: Bruno Bouckaert & Eugeen Schreurs (ed. & pref.), The Burgundian-Habsburg Court Complex of Music Manuscripts (1500–1535) and the Workshop of Petrus Alamire (= Yearbook of the Alamire Foundation, 5), Leuven: Neerpelt (2003)
	Fuller 1969	Sarah Fuller, ‘Additional Notes on the 15th-Century Chansonnier Bologna Q16’, Musica Disciplina 23 (1969), 81-103.
	Gaines 1970	Charles T. Gaines, “Georg Rhau: Tricinia, 1542”, Ph.D. Diss.: Union Theological Seminary (1970)
	Gallagher 2007	Sean Gallagher, ‘The Berlin and French Song in Florence, 1450-1490: A New Dating and Its Implications’, Journal of Musicology, xxiv/2 (2007), 339-64.
	Gallagher 2008	Sean Gallagher, ‘Caron and Florence: A New Ascription and the Copying of the PixĂ©rĂ©court Chansonnier’, in Pieter BergĂ© and Mark Delaere (eds.), “Recevez ce mien petit labeur”: Studies in Renaissance Music in Honour of Ignace Bossuyt, Leuven: Leuven University Press (2008), 83-92.
	Geering & TrĂŒmpy 1967	Arnold Geering & Hans TrĂŒmpy (eds.), Das Liederbuch des Johannes Heer von Glarus: Ein Musikheft aus der Zeit des Humanismus (Codex 462 der Stiftsbibliothek St. Gallen) (Schweizerische MusikdenkmĂ€ler, 5), Basel: BĂ€renreiter (1967).
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	GutiĂ©rrez-Denhoff 1984	Martella GutiĂ©rrez-Denhoff, ‘Untersuchungen zu Gestalt, Entstehung und Repertoire des Chansonniers Laborde’, Archiv fĂŒr Musikwissenschaft, 12 (1984), 113–46.
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	Hewitt 1950	Helen Hewitt, ‘Malmaridade and Meshouwet’, Tijdschrift van de Vereeniging voor Noord-Nederlands Muziekgeschiedenis (1950), 181-91.
	Hewitt 1967	Helen Hewitt (ed.), Ottaviano Petrucci: Canti B numero cinquanta (Monuments of Renaissance Music, 2), Chicago and London: University of Chicago Press (1967).
	Hewitt 1978	Helen Hewitt, ‘A chanson rustique of the Early Renaissance: Bon temps’, in Jan LaRue (ed.), Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese, New York: Pendragon Press (1978), 376-91.
	Higgins 1984	Paula Higgins (ed.), Chansonnier Nivelle De La Chaussée: BibliothÚque Nationale, Paris, Rés. Vmc. Ms. 57, Ca. 1460, Geneva: Minkoff (1984).
	Hudson 1994	Barton Hudson, “A Glimpse into a Scribal Workshop: Vienna, Österreichische Nationalbibliothek, MS 11883”, in: Albert Clement & Eric Jas (Hrsg.), From Ciconia to Sweelinck: Donum natalicium Willem Elders (= Chloe: Beihefte zum Daphnis, 21), Amsterdam: Rodopi (1994)
	Humphreys 2001	David Humphreys, ‘A Study in Emulation: Philip van Wilder’s En despit des envyeulx’, Early Music, xxix/1 (2001), 93-106.
	Huys 1994	Bernard Huys, ‘A Recently Rediscovered Sixteenth-Century Illuminated Manuscript: a Study of the Sources and Concordance of the Third “Tournai” Partbook’, in Barbara Haggh, Frank Daelemans & AndrĂ© Vanrie (eds.), Musicology and Archival Research, Brussels: Archives et BibliothĂšques de Belgique, numĂ©ro special xlvi (1994), 522-41.
	Jas & de Groot 2011	Eric Jas & Peter de Groot (Hrsg.), De Leidse koorboeken: een ongehoorde schat (= Monumenta musica neerlandica, 9/1-2), Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis (2011)
	Jas 1997	Eric Jas, “De koorboeken van de Pieterskerk te Leiden: Het zestiende-eeuwse muzikale erfgoed van een Hollands getijdencollege”, Ph.D. Diss.: Rijksuniversteit Utrecht (1997)
	Jas 2018	Eric Jas, Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St. Peter’s Church, Leiden (= Studies in Medieval and Renaissance Music, 432), Woodbridge: Boydell Press (2018)
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