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Adams 1987 Courtney S. Adams, ‘The Early Chanson Anthologies Published by Pierre Attaingnant (1528-1530)’, The Journal of Musicology, 5/4 (1987), 526-48. view print preview
Alden 2010 Jane Alden, Songs, Scribes, and Society. The History and Reception of the Loire Valley Chansonniers (The New Cultural History of Music, series ed. Jane F. Fulcher), Oxford: Oxford University Press (2010). view print preview
Anglés 1941 Higini Anglés (ed.), Monumentos de la Musica Española, I, Polifonía religiosa, Madrid: Ministerio de Educación (1941), 112-5. view print preview
Atlas 1975-6 Allan W. Atlas, The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana C.G.XIII.27), Brooklyn, NY: Institute of Mediaeval Music (1975-6). view print preview
Atlas 1977 Allan W. Atlas, ‘On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20)’, Musica Disciplina, 31 (1977), 45-105. view print preview
Atlas 1978 Allan W. Atlas: ‘La provenienza del manoscritto Berlin 78.C.28: Firenze o Napoli?’, in Rivista Italiana di Musicologia, XIII (1978), 10–29. view print preview
Barret 1981 Charles E. Barret, 'A Critical Edition of the Dijon Chansonnier: Dijon, BibliothĂšque de la ville, MS 517 (ancient 295)', Ph.D. diss., Nashville, TN: George Peabody College for Teachers of Vanderbilt University (1981). view print preview
Becherini 1942-3 Bianca Becherini, ‘Alcuni canti dell’ “Odhecaton” e del codice fiorentino 2794’, Bulletin de l’Institut historique belge de Rome, 42 (1942-3), 327-48. view print preview
Becherini 1950 Bianca Becherini, ‘Autori minori nel codice fiorentino Magl. XIX, 176’, Revue Belge de Musicologie, 4 (1950), 19-31. view print preview
Becherini 1959 Bianca Becherini, Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze, Kassel - Basel - London - New York: BĂ€renreiter (1959), 42-4. view print preview
Bellingham 1980 Bruce Bellingham (ed.), Bicinia gallica, latina, germanica. Tomus I, II. 1545 (= Georg Rhau, Musikdrucke, 6), Kassel: BĂ€renreiter (1980) view print preview
Bent 1986 Margaret Bent, ‘Trent 93 and Trent 90: Johannes Wiser at Work’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 84-111. view print preview
Bernstein 1973 Lawrence F. Bernstein, ‘La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano’, Journal of the American Musicological Society, 26/1 (1973), 1-68. view print preview
Bernstein 1978 Lawrence F. Bernstein, ‘The “Parisian Chanson”: Problems of Style and Terminology”, Journal of the American Musicological Society, 31/2 (1978), 193-240. view print preview
Bernstein 1982 Lawrence F. Bernstein, ‘Notes on the Origin of the Parisian Chanson’, Journal of Musicology, 1 (1982), 275-326. view print preview
Bernstein 1984 Lawrence F. Bernstein (ed.), La couronne et fleur des chansons a troys, 2 vols. (= Master and Monuments of the Renaissance, 3), New York, NY: The Broude Trust (1984) view print preview
Bernstein 1990 Lawrence F. Bernstein, ‘Melodic Structure in the Parisian Chanson: A Preliminary Study in the Transmission of a Musical Style’, in Eugene K. Wolf and Edward H. Roesner (eds.), Studies on Musical Sources and Style: Essays in Honor of Jan LaRue, Madison, WI: A-R Editions (1990), 121-89. view print preview
Bernstein 2001 Lawrence F. Bernstein, ‘Chansons for Five and Six Voices’, in Richard Sherr (ed.), The Josquin Companion, Oxford & New York: Oxford University Press (2001), 393-422. view print preview
Birkendorf 1994 Rainer Birkendorf, Der Codex Pernner. Quellenkundliche Studien zu einer Musikhandschrift des frĂŒhen 16. Jahrhunderts (Regensburg, Bischöfliche Zentralbibliothek, Sammlung Proske, Ms. C 120), 3 vols. (Collectanea Musicologica, 6/I-III), Augsburg: Wissner (1994). view print preview
Birkendorf 1998 Rainer Birkendorf, ‘Bemerkungen zur Entstehung des Codex Pernner: Regensburg, Bischöfliche Zentralbibliothek, Cod. ms. C 120’, in Martin Staehelin (ed.), Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert (Quellenstudien zur Musik der Renaissance, 3; WolfenbĂŒtteler Forschungen, 83), Wiesbaden: Harassowitz (1998), 170-7. view print preview
Birmingham 1955 Hugh M. Birmingham Jr., 'A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance', Master diss., Denton: North Texas State College (1955). view print preview
Blackburn 1981 Bonnie J. Blackburn, ‘Two “Carnival Songs” Unmasked: A Commentary on MS Florence Magl. XIX. 121, Musica Disciplina, 35 (1981), 121-78. view print preview
Boorman 1977 Stanley Boorman, ‘The “First” Edition of the Odhecaton A’, Journal of the American Musicological Society, 30 (1977), 183-207. view print preview
Boorman 2006 Stanley Boorman, Ottaviano Petrucci: catalogue raisonné, Oxford: Oxford University Press (2006). view print preview
Bosi 2004 Carlo Bosi, 'The Secular Works of Du Fay and Binchois: Melody, Mode, Sonority', Ph. D. diss., Oxford: University of Oxford (2004) view print preview
Bosi 2017 Carlo Bosi “Zu Stil und Form einstimmiger Melodien um 1500 – Einige FĂ€lle in den Pariser monophonen Chansonniers”, in: Creatio ex unisono: Einstimmige Musik im 15. und 16. Jahrhundert, ed. by Nicole Schwindt (= troja, Jahrbuch fĂŒr Renaissancemusik, 13), 2017 for 2014, 81-103 view print preview
Bosi 2021 Carlo Bosi, “EspĂ©rance or: New Insights into the Origins of the Chansonnier de Bayeux“, Musicologica Austriaca (2021), http://www.musau.org/parts/neue-article-page/view/93; view print preview
Bosi, Modal Usage, 2005 Carlo Bosi, ‘Modal Usage in the Secular Works of Du Fay’, in Revue Belge de Musicologie, 59 (2005), 5-42. view print preview
Bosi, Tant que mon/nostre argent dura, 2005 Carlo Bosi, ‘Tant que mon/nostre argent dura: Die Überlieferung und Bearbeitung einer ‚populĂ€ren’ Melodie in fĂŒnf mehrstimmigen SĂ€tzen’, Acta Musicologica, lxxvii/2 (2005), 205-28. view print preview
Brauner 1987 Mitchell P. Brauner, ‘The Manuscript Verona, Accademia Filarmonica, B 218 and Its Political Motets’, Studi Musicali, 16 (1987), 3-12. view print preview
Bridgman 1984 Nanie Bridgman, ‘Paroles et musique dans le manuscrit Latin 16664 de la BibliothĂšque Nationale de Paris’, in Ursula GĂŒnther & Ludwig Finscher (eds.), Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts (Göttinger musikwissenschaftliche Arbeiten, 10), Kasel - Basel - London: BĂ€renreiter (1984), 383-409. view print preview
Brobeck 2016 John T. Brobeck, “A Music Book for Mary Tudor, Queen of France”, Early Music History, 35 (2016), pp. 1-93 view print preview
Brown 1959 Howard M. Brown, ‘The Chanson rustique: Popular Elements in the 15th- and 16th-Century Chanson’, Journal of the American Musicological Society 12 (1959), 16-26. view print preview
Brown 1963 Howard M. Brown, Music in the French Secular Theater, 1400-1550, Cambridge, MA: Harvard University Press (1963). view print preview
Brown 1964 Howard M. Brown, ‘The Genesis of a Style: The Parisian Chanson, 1500-1530’, in James Haar (ed.), Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961, Cambridge, MA: Harvard University Press (1964), 1-36. view print preview
Brown 1967 Howard M. Brown, ‘Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442’, in Jan La Rue (ed.) Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, London & New York: Oxford University Press (1967). view print preview
Brown 1968 Howard M. Brown, ‘The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442)’, Acta Musicologica, 40 (1968), 115-29. view print preview
Brown 1970 Howard M. Brown, ‘The Transformation of the Chanson at the End of the Fifteenth Century’, in Dragotin Cvetko (ed.), Report of the Tenth Congress of the International Musicological Society, Ljubljana 1967, Kassel: BĂ€renreiter (1970), 78–94. view print preview
Brown 1981 Howard M. Brown, 'Words and Music in Early l6th-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442', in Ludwig Finscher (ed.), Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez (WolfenbĂŒtteler Forschungen, 6), Munich: Kraus (1981), 7-141. view print preview
Brown 1983 Howard M. Brown, “A ‘New’ Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report”, Musica Disciplina, 37 (1983), 171-233 view print preview
Brown 1985 Howard M. Brown: ‘Josquin and the Fifteenth-Century Chanson’, Proceedings of the British Academy, 71 (1985), 119–58. view print preview
Brown 1987 Howard M. Brown (ed. & intr.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a (= Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York: Garland (1987) view print preview
Brown 1988 Howard M. Brown, Cambridge, Magdalen College, Pepys 1760 (Renaissance Music in Facsimile), London: Routledge (1988). view print preview
Brown, A "New" Chansonnier, 1983 Howard M. Brown, ‘A “New” Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report’, Musica Disciplina, 37 (1983), 171-233 view print preview
Brown, Banco Rari 229, 1983 Howard M. Brown (ed.), A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale, MS Banco Rari 229, 2 vols.(Monuments of Renaissance Music, 7) Chicago and London: The University of Chicago Press (1983). view print preview
Brown, Florence 164-7, 1987 Howard M. Brown (ed.), Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX. 164-167, 4 vols. (Renaissance Music in Facsimile, 5), New York: Garland (1987). view print preview
Brown, London 20.A.XVI, 1987 Howard M. Brown (ed.), London, British Library, MS Royal 20.A.XVI (Renaissance Music in Facsimile: Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 10), London & New York: Garland Publishing (1987). view print preview
Brown, Uppsala 76a, 1987 Howard M. Brown, (ed. & intr.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a (Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York: Garland (1987). view print preview
Bukofzer 1942 Manfred Bukofzer, ‘An Unknown Chansonnier of the 15th Century’, Musical Quarterly, 28 (1942), 14–49. view print preview
Bush 1946 Helen E. Bush: ‘The Laborde Chansonnier’, Papers of the American Musicological Society, Annual Meeting 1940, Richmond, VA (1946), 56–79. view print preview
Canti C Canti C: Numero cento cinquanta (Monuments of Music and Music Literature in Facsimile, 1, music, vol. 25), New York: Broude Brothers (1978). view print preview
Casimiri 1937 Raffele Casimiri, ‘Canzoni e motetti dei sec. XV-XVI’, Note d’Archivio per la storia musicale, 14 (1937), 145-60. view print preview
Chaillon 1953 Paule Chaillon, ‘Le Chansonnier de Françoise (Ms. Harley 5242, Br. Mus.)’, Revue de Musicologie, 35 (1953), 1-31. view print preview
Chapman 1964 Catherine W. Chapman, 'Andrea Antico', Ph.D. diss., Cambridge, Boston: Harvard University (1964). view print preview
Christoffersen 1994 Peter W. Christoffersen, French Music in the Early Sixteenth Century: Studies in the Music Collection of a Copyist of Lyons, the Manuscript Ny kgl. Samling 1848 2° in the Royal Library, Copenhagen, 3 vols., Copenhagen: Museum Tusculanum Press, University of Copenhagen (1994). view print preview
Christoffersen, The Uppsala Chansonnier MS 76a Peter Woetmann Christoffersen, The Uppsala Chansonnier MS 76a --> http://uppsala.pwch.dk/index.html view print preview
Christoffersen, Uppsala 76a Peter Woetmann Christoffersen, The Uppsala Chansonnier MS 76a (http://uppsala.pwch.dk/). view print preview
Coeurdevey, Catalogue Annie Coeurdevey, Catalogue de la Chanson Française à la Renaissance (http://ricercar.cesr.univ-tours.fr/3-programmes/basechanson/). view print preview
Couchman 1980 Jonathan P. Couchman, ‘The Lorraine Chansonnier. Antoine de Lorraine and the Court of Louis XII’, Musica Disciplina, 34 (1980), 85-157. view print preview
Coussemaker 1864-76 / R 1963 Edmond de Coussemaker (ed.), Scriptorum de musica medii aevi: novam seriem a Gerbertina alteram, Paris: Durand (1864-76); Reprint: Hildesheim: Olms (1963) view print preview
Cummings 1983 Anthony M. Cummings, ‘A Florentine Sacred Repertory from the Medici Restoration (Manuscript II.I.232 [olim Magl.XIX, 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History’, Acta Musicologica, 45 (1983), 267-332. view print preview
Cummings 1991 Anthony M. Cummings, ‘Giulio de’ Medici’s Music Books’, Early Music History, 10 (1991), 65-122. view print preview
Cummings 2006 Anthony M. Cummings, MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164-167, Aldershot/Burlington, VT: Ashgate (2006). view print preview
Curtis 1977 Alan Curtis, ‘Josquin and “La belle TricotĂ©e”, in Gustave Reese and Robert J. Snow (eds.), Essays in Musicology in Honor of Dragan Plamenac, New York, NY: Da Capo Press (1977), 1-8. view print preview
Cuyler 1969 Louise E. Cuyler, “Georg Rhaw’s Opus decem missarum, 1541: Some Aspects of the Franco-Flemish Mass in Germany”, in: Jozef Robijns, Willem Elders, Roelof Lagas & Guido Persoons (ed.), Renaissance-Muziek 1400-1600. Donum natalicium RenĂ© Bernard Lenaerts (= Musicologica Lovaniensia, 1), Leuven: Katholieke Universiteit; Seminarie voor Muziekwetenschap (1969), 71-81 view print preview
Cyrus 2002 Cynthia J. Cyrus, “The annotator of the Lorraine Chansonnier and his taste in accidentals”, Early Music, 30/2 (2002), 189-200 view print preview
D'Accone 1970 Frank A. D'Accone, 'Some Neglected Composers in the Florentine Chapels, ca. 1475-1525', Viator. Medieval and Renaissance Studies, 1 (1970), 263-88. view print preview
D'Accone, Aldini 362, 1986 Frank A. D’Accone (ed.), Pavia, Biblioteca Universitaria, Aldini MS 362 (Renaissance Music in Facsimile, 16), New York & London: Garland (1986). view print preview
D'Accone, Turin Ris. Mus. I. 27, 1986 Frank A. D’Accone (ed.), Turin, Biblioteca Nazionale Universitaria, MS Ris. Mus. I. 27 (olim gm III. 59) (Renaissance Music in Facsimile, 18), New York: Garland (1986). view print preview
D'Agostino 2008 Gianluca D'Agostino (ed. & transl.), Proportionale musices. Liber de arte contrapuncti, Florence: Edizioni del Galluzzo per la Fondazione Ezio Franceschini (2008). view print preview
Dobbins 1974 Frank Dobbins, “Jacques Moderne’s Parangon des chansons: A Bibliography of Music and Poetry at Lyon, 1538-1543”, Royal Musical Associatiom Research Chronicle, 12 (1974), 1-90 view print preview
Dobbins 2012 Frank Dobbins, "PoĂ©sie et musique pour François et Françoise (de Foix) : changement des genres et des maniĂšres de poĂ©sie chantĂ©e en musique", in: La poĂ©sie Ă  la cour de François Ier, ed. by Jean-Eudes Girot (= Cahier V.L. Saulnier 29), Paris: Presses de l’UniversitĂ© Paris-Sorbonne (2012), pp. 137-56: 137-44 view print preview
Epp 2000 Esther Epp, 'Popular Arrangements in the Petrucci Chansonniers', Ph.D. diss., Toronto: University of Toronto (2000). view print preview
Facsimile Rothschild 2973 Facsimile Edition of Paris, BibliothĂšque nationale de France, Ms. Occ. Rothschild 2973, ValĂšncia: Vicent GarcĂ­a Editores (2007). view print preview
Fallows 1986 David Fallows, ‘Songs in the Trent Codices: An Optimistic Handlist’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 170-9. view print preview
Fallows 1993 David Fallows, ‘Polyphonic Song in the Florence of Lorenzo’s Youth, ossia the Provenance of the Manuscript Berlin 78.C.28: Naples or Florence?’, in Piero Gargiulo (ed.), La musica a Firenze al tempo di Lorenzo il Magnifico: congresso internazionale di studü, Firenze, 15-17 giugno 1992 (Quaderni della Rivista Italiana di Musicologia / Società Italiana di Musicologia, 30), Florence: Olschki (1993), 47–61 (also in Songs and Musicians in the Fifteenth Century, Aldershot: Variorum [1996], VIII). view print preview
Fallows 1995 David Fallows, The Songs of Guillaume Dufay: Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. 1, vol. VI, Neuhausen-Stuttgart: American Institute of Musicology / HĂ€nssler Verlag (1995). view print preview
Fallows 1996 David Fallows (ed.), The Songbook of Fridolin Sicher, around 1515. Sankt Gallen, Stiftsbibliothek Cod. Sang. 461, Peer: Alamire (1996). view print preview
Fallows 2001 David Fallows, ‘Petrucci’s Canti Volumes: Scope and Repertory’, Basler Jahrbuch fĂŒr historische Musikpraxis, XXV (2001), 39-52 (and Composers and their Songs, 1400-1521, [Variorum Collected Studies Series], Farnham, Surrey; Burlington, VT: Ashgate [2010], XIX]; view print preview
Fallows 2005 David Fallows, ‘Josquin and Popular Songs’, Basler Jahrbuch fĂŒr historische Musikpraxis, 29 (2005), 161-71 (and Composers and their Songs, 1400-1521, [= Variorum Collected Studies Series], Farnham, Surrey; Burlington, VT: Ashgate [2010], XVII). view print preview
Fallows 2008 David Fallows, Commentary to the Facsimile of the Manuscript Rothschild 2973 (l.5.13) in the BibliothĂšque nationale de France, ValĂšncia: Vicent GarcĂ­a Editores (2008). view print preview
Fallows, Antoine Busnoys, 1999 David Fallows: ‘“Trained and Immersed in All Musical Delights”: Towards a New Picture of Busnoys’, in Paula Higgins (ed.), Antoine Busnoys: Method, Meaning and Context in Late Medieval Music, Oxford: Clarendon Press (1999), 21–50. view print preview
Fallows, Catalogue, 1999 David Fallows, A Catalogue of Polyphonic Songs, 1415-1480, Oxford: Oxford University Press (1999). view print preview
Fallows, et al. 2005 David Fallows, et al. (eds.), New Josquin Edition, vols. 27-30, Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (2005). view print preview
Fallows, Petrucci, 2005 David Fallows, “I volumi dei canti di Petrucci: finalità e repertorio”, in: Giulio Cattin (Hrsg. & Einf.), Patrizia Dalla Vecchia (Hrsg.) & Marino Zorzi (Vorw.), Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing, Venice: Fondazione Ugo & Olga Levi (2005), 661-76 view print preview
Fenlon & Haar 1980 Iain Fenlon & James Haar, ‘A Source for the Early Madrigal’, Journal of the American Musicological Society, 33 (1980), 164-80. view print preview
Fenlon 1995 Iain Fenlon, Music, Print and Culture in Early Sixteenth-Century Italy (The Panizzi Lectures, 1994) London: British Library (1995). view print preview
Filocamo 2010 Gioia Filocamo (ed.), Florence, BNC, Panciatichi 27. Text and Context, transl. by Bonnie J. Blackburn (Monumenta Musica Europea, II/1), Turnhout: Brepols (2010). view print preview
Finscher 1977 Ludwig Finscher, ‘Der Medici-Kodex: Geschichte und Edition’, Die Musikforschung, 30 (1977), 468-81, 472-3 & 479. view print preview
Fox 1947 Charles W. Fox, ‘A Renaissance Music Manuscript in the Sibley Music Library’,Bulletin of the American Musicological Society, 9-10 (1947), 18-9. view print preview
Freedman 1982 Richard Freedman, 'The Partbooks Vienna, Codex 18746 and the Identification of Hands in the Complex of Music Manuscripts of the Netherlandish Court', MA Thesis, Philadelphia: University of Pennsylvania (1982). view print preview
Freedman 1991 Richard Freedman, ‘Pastourelle jolie: The Chanson at the Court of Lorraine, c.1500’, Journal of the Royal Musical Association, 116 (1991), 161-200. view print preview
Friebel 2003 Michael Friebel, “Die Handschriften Wien, Österreichische Nationalbibliothek, Ms. 11883 und Vatikan, Biblioteca Apostolica Vaticana, Ms. Chigi, C VIII 234 als Vorlagen am burgundisch-habsburgischen Hof”, in: Bruno Bouckaert & Eugeen Schreurs (ed. & pref.), The Burgundian-Habsburg Court Complex of Music Manuscripts (1500–1535) and the Workshop of Petrus Alamire (= Yearbook of the Alamire Foundation, 5), Leuven: Neerpelt (2003) view print preview
Fuller 1969 Sarah Fuller, ‘Additional Notes on the 15th-Century Chansonnier Bologna Q16’, Musica Disciplina 23 (1969), 81-103. view print preview
Gaines 1970 Charles T. Gaines, “Georg Rhau: Tricinia, 1542”, Ph.D. Diss.: Union Theological Seminary (1970) view print preview
Gallagher 2007 Sean Gallagher, ‘The Berlin and French Song in Florence, 1450-1490: A New Dating and Its Implications’, Journal of Musicology, xxiv/2 (2007), 339-64. view print preview
Gallagher 2008 Sean Gallagher, ‘Caron and Florence: A New Ascription and the Copying of the PixĂ©rĂ©court Chansonnier’, in Pieter BergĂ© and Mark Delaere (eds.), “Recevez ce mien petit labeur”: Studies in Renaissance Music in Honour of Ignace Bossuyt, Leuven: Leuven University Press (2008), 83-92. view print preview
Geering & TrĂŒmpy 1967 Arnold Geering & Hans TrĂŒmpy (eds.), Das Liederbuch des Johannes Heer von Glarus: Ein Musikheft aus der Zeit des Humanismus (Codex 462 der Stiftsbibliothek St. Gallen) (Schweizerische MusikdenkmĂ€ler, 5), Basel: BĂ€renreiter (1967). view print preview
GĂ©rold 1921 ThĂ©odore GĂ©rold (ed.), Le Manuscrit de Bayeux : texte et musique d’un recueil de chansons du XVe siĂšcle, Strasbourg : Commission de Publications de la FacultĂ© de Lettre ; Palais de l’UniversitĂ© (1921). view print preview
Goldberg 1994 Clemens Goldberg, Die chansons von Antoine Busnois: Die Ästhetik der höfischen chansons (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart, ed. by Michael von Albrecht, 32), Frankfurt a. M.: Peter Lang (1994). view print preview
Goldberg 1997 Clemens Goldberg, Das Chansonnier Laborde: Studien zur IntertextualitÀt einer Liederhandschrift des 15. Jahrhunderts, Frankfurt a.M.: Lang (1997). view print preview
GĂŒlke 1961 Peter GĂŒlke, ‘Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts’, in Eberhardt Klemm (ed.), Festschrift Heinrich Besseler, Leipzig: VEB Deutscher Verlag fĂŒr Musik (1961), 179–202. view print preview
GutiĂ©rrez-Denhoff 1984 Martella GutiĂ©rrez-Denhoff, ‘Untersuchungen zu Gestalt, Entstehung und Repertoire des Chansonniers Laborde’, Archiv fĂŒr Musikwissenschaft, 12 (1984), 113–46. view print preview
GutiĂ©rrez-Denhoff 1985 Martella GutiĂ©rrez-Denhoff, Der WolfenbĂŒtteler Chansonnier, WolfenbĂŒttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises (WolfenbĂŒtteler Forschungen, 29), Wiesbaden: Harassowitz (1985). view print preview
GutiĂ©rrez-Denhoff 1988 Martella GutiĂ©rrez-Denhoff (ed.), Der WolfenbĂŒtteler Chansonnier (Musikalische DenkmĂ€ler, 10), Mainz: Schott (1988). view print preview
Hanen 1981 Martha K. Hanen. (ed.), Anonymous Pieces in the MS El Escorial IV.a.24 (Corpus Mensurabilis MusicĂŠ), s.l.: American Institute of Musicology, 88 (1981). view print preview
Hanen 1983 Martha K. Hanen, The Chansonnier El Escorial IV.a.24, 3 vols. (Musicological Studies, xxxvi/1-2), Henryville, PA: Institute of Mediaeval Music (1983). view print preview
Heartz 1969 Daniel Heartz, Pierre Attaingnant, Royal Printer of Music. A Historical Study and Bibliographical Catalogue, Berkeley and Los Angeles: University of California Press (1969) view print preview
Helms 2009 Dietrich Helms, “Henry VIII’s Book: Teaching Music to Royal Children”, The Musical Quarterly, 92 (2009), 118-35 view print preview
Hewitt 1942 Helen Hewitt (ed.), Harmonice musices odhecaton A, Cambridge, MA.: The Mediaeval Academy of America, Publication 42 (1942). view print preview
Hewitt 1950 Helen Hewitt, ‘Malmaridade and Meshouwet’, Tijdschrift van de Vereeniging voor Noord-Nederlands Muziekgeschiedenis (1950), 181-91. view print preview
Hewitt 1967 Helen Hewitt (ed.), Ottaviano Petrucci: Canti B numero cinquanta (Monuments of Renaissance Music, 2), Chicago and London: University of Chicago Press (1967). view print preview
Hewitt 1978 Helen Hewitt, ‘A chanson rustique of the Early Renaissance: Bon temps’, in Jan LaRue (ed.), Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese, New York: Pendragon Press (1978), 376-91. view print preview
Higgins 1984 Paula Higgins (ed.), Chansonnier Nivelle De La Chaussée: BibliothÚque Nationale, Paris, Rés. Vmc. Ms. 57, Ca. 1460, Geneva: Minkoff (1984). view print preview
Hudson 1994 Barton Hudson, “A Glimpse into a Scribal Workshop: Vienna, Österreichische Nationalbibliothek, MS 11883”, in: Albert Clement & Eric Jas (Hrsg.), From Ciconia to Sweelinck: Donum natalicium Willem Elders (= Chloe: Beihefte zum Daphnis, 21), Amsterdam: Rodopi (1994) view print preview
Humphreys 2001 David Humphreys, ‘A Study in Emulation: Philip van Wilder’s En despit des envyeulx’, Early Music, xxix/1 (2001), 93-106. view print preview
Huys 1994 Bernard Huys, ‘A Recently Rediscovered Sixteenth-Century Illuminated Manuscript: a Study of the Sources and Concordance of the Third “Tournai” Partbook’, in Barbara Haggh, Frank Daelemans & AndrĂ© Vanrie (eds.), Musicology and Archival Research, Brussels: Archives et BibliothĂšques de Belgique, numĂ©ro special xlvi (1994), 522-41. view print preview
Jas & de Groot 2011 Eric Jas & Peter de Groot (Hrsg.), De Leidse koorboeken: een ongehoorde schat (= Monumenta musica neerlandica, 9/1-2), Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis (2011) view print preview
Jas 1997 Eric Jas, “De koorboeken van de Pieterskerk te Leiden: Het zestiende-eeuwse muzikale erfgoed van een Hollands getijdencollege”, Ph.D. Diss.: Rijksuniversteit Utrecht (1997) view print preview
Jas 2018 Eric Jas, Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St. Peter’s Church, Leiden (= Studies in Medieval and Renaissance Music, 432), Woodbridge: Boydell Press (2018) view print preview
Jeffery 1971 Brian Jeffery (ed.), Chanson Verse of the Early Renaissance, London: Brian Jeffery (1971). view print preview
Jeppesen 1927, 2/1965 Knud Jeppesen (ed.), Der Kopenhagener Chansonnier, Copenhagen: Levin & Munksgaard & Leipzig: Breitkopf und HĂ€rtel (1927, 2/1965). view print preview
Jeppesen 1944 Knud Jeppesen, ‘Venetian Folksongs of the Renaissance’, Papers Read at the International Congress of Musicology, held at New York, 11-16 Sept. 1939, New York: American Musicological Society (1944), 62-75. view print preview
Jonas 1983 Luise Jonas, Das Augsburger Liederbuch. Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg, 2 vols. (Berliner Musikwissenschaftliche Arbeiten, 21), Munich-Salzburg: Emil Katzbichler (1983). view print preview
Jones 1972 George M. Jones, 'The ‘first’ Chansonnier of the Biblioteca Riccardiana, Codex 1794: A Study in the Method of Editing 15th-Century Music', 2 vols., Ph.D. diss., New York, NY: New York University (1972). view print preview
Just 1975 Martin Just, Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preußischer Kulturbesitz Berlin. Untersuchungen zum Repertoire einer deutschen Quellen des 15. Jahrhunderts, 2 vols. (WĂŒrzburger musikhistorische BeitrĂ€ge, ed. Wolfgang Osthoff), Tutzing: Hans Schneider (1975). view print preview
Just 1991 Martin Just, Der Kodex Berlin 40021: Staatsbibliothek Preussischer Kulturbesitz Berlin, Mus. ms. 40021 (Das Erbe deutscher Musik, 77; Abteilung Mittelalter, 15), 3 vols., Kassel: BĂ€renreiter (1991). view print preview
Kellman & Hamm 1979-88 Herbert Kellman & Charles Hamm (eds.), Census Catalogue of Manuscript Sources of Polyphonic Music, 1400-1550, 5 vols. (Renaissance Manuscript Studies, 1), American Institute of Musicology, [Rome], Neuhausen-Stuttgart: HĂ€nssler Verlag (1979-88) view print preview
Kellman 1999 Herbert Kellman (ed.), The Treasury of Petrus Alamire. Music and Art in Flemish Court Manuscripts, 1500-1535, Ghent/Amsterdam: Ludion (1999), 160-2. view print preview
Kottick, Cordiforme, 1967 Edward L. Kottick, ‘The Chansonnier Cordiforme’, Journal of the American Musicological Society, 20 (1967), 10–27. view print preview
Kottick, Unica, 1967 Edward L. Kottick, The Unica in the Chansonnier Cordiforme (Corpus Mensurabilis MusicĂŠ, 43), s.l.: American Institute of Musicology (1967). view print preview
Kraft 2009 Isabel Kraft, Einstimmigkeit um 1500: Der Chansonnier Paris, Bnf F. Fr. 12744 (Beihefte zum Archiv fĂŒr Musikwissenschaft, 64), Wiesbaden: Franz Steiner (2009). view print preview
Lama de la Cruz 1994 VĂ­ctor Lama de la Cruz, Cancionero Musical de la Catedral de Segovia, Salamanca: Junta de Castilla y LeĂłn, ConsejerĂ­a de Cultura y Turismo (1994). view print preview
Lemaire, Thiry & Gavenda 1988 Claudine Lemaire, Claude Thiry & Victor Gavenda (eds.), Les Basses danses dites de Marguerite d’Autriche: ms 9085, aus dem Besitz der Bibliohùque royale Albert 1er, Bruxelles (Codices selecti phototypice impressi, 87), Graz: Akademisches Druck- und Verlagsanstalt (1988). view print preview
Litterick 1976 Louise Litterick, 'The Manuscript Royal 20 A xvi of the British Library', Ph. D. diss., New York: New York University (1976). view print preview
Litterick 2001 Louise Litterick, ‘Chansons for Three and Four Voices’, in Richard Sherr (ed.), The Josquin Companion, Oxford & New York: Oxford University Press (2001), 335-92. view print preview
Llorens 1965 JosĂ© M. Llorens, ‘El CĂłdice Casanatense 2.856 identificado como el Cancionero de Isabella d’Este (Ferrara), esposa de Francesco Gonzaga (Mantua)’, Anuario Musical, 20 (1965), 161-79. view print preview
Lockwood 1973-4 Lewis Lockwood, ‘Aspects of the “L’homme armĂ©â€ Tradition’, Proceedings of the Royal Musical Association, 100 (1973–4), 97–122. view print preview
Lockwood 2002 Lewis Lockwood (ed.), A Ferrarese Chansonnier. Roma, Biblioteca Casanatense 2856, «Canzoniere di Isabella d’Este», Lucca: Libreria Musicale Italiana (2002). view print preview
Maas 1983-99 Chris Maas (gen. ed.), New Obrecht Edition, 18 vols., Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (1983-99). view print preview
MacCracken 1985 Thomas G. MacCracken, 'The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b', Ph. D. diss., Chicago: University of Chicago (1985). view print preview
MacCracken 1986 Thomas MacCracken (ed. & intr.), Universitetsbiblioteket, Vokalmusik i handskrift 76b (Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 20), New York: Garland (1986). view print preview
Maniates 1970 Maria R. Maniates, ‘Combinative Chansons in the Dijon Chansonnier’, Journal of the American Musicological Society, 23 (1970), 28-81. view print preview
Maniates 1975 Maria R. Maniates, ‘Combinative Chansons in the Escorial Chansonnier’, Musica Disciplina, 29 (1975), 61-125. view print preview
Maniates 1989 Maria R. Maniates, The Combinative Chanson: an Anthology (Recent Researches in the Music of the Renaissance, 77) Madison, Wisc.: A-R Editions (1989). view print preview
Maniates, Mannerist Composition, 1966 Maria R. Maniates, ‘Mannerist Composition in Franco-Flemish Polyphony’, The Musical Quarterly, 52 (1966), 17-36. view print preview
Maniates, Quodlibet, 1966 Maria R. Maniates, ‘Quodlibet revisum’, Acta Musicologica 38 (1966), 169-78. view print preview
McMurtry 1967 William McMurtry, 'The British Museum Manuscript Additional 35087: A Transcription of the French, Italian and Latin Compositions with Concordance and Commentary', Ph. D. diss., Denton: North Texas State University (1967). view print preview
McMurtry 1989 William McMurtry (ed.), Chansonnier of Hieronymus Lauweryn van Watervliet, Peer: Alamire (1989). view print preview
Meconi, Basevi 2439, 1990 Honey Meconi (ed.), Basevi Codex, Florence, Biblioteca del Conservatorio, MS 2439, Alamire: Peer (1990). view print preview
Meconi, Chanson Transmission, 1990 Honey Meconi, ‘The Manuscript Basevi 2439 and Chanson Transmission in Italy’, in Angelo Pompilio, Lorenzo Bianconi, Donatella Restani and F. Alberto Gallo (eds.), Atti del XIV congresso della Società Internazionale di Musicologia (Bologna 1987), 3 vols., Turin: EDT (1990), 3, 163-74. view print preview
Meissner 1967 Ute Meissner, Der Antwerpener Notendrucker Tylman Susato: Eine bibliographische Studie zur niederlÀndischen Chansonpublikation in der ersten HÀlfte des 16. Jahrhunderts, 2 vols. (= Berliner Studien zur Musikwissenschaft, 11), Berlin: Merseburger Verlag (1967) view print preview
Miller 1990 B. L. Miller, ‘Antico, Andrea’, in Donald W. Krummel & Stanley Sadie (eds.), Music Printing and Publishing (Norton / Grove Handbooks in Music), London: Norton (1990), 143-7. view print preview
Moerk 1971 Alice A. Moerk, 'The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris n.a.fr.4379 (part 1)', 2 vols., Ph.D. diss., Morgantown: West Virginia University (1971). view print preview
N.A. 1978 N.A., Canti C: Numero cento cinquanta (= Monuments of Music and Music Literature in Facsimile, 1; music, vol. 25), New York: Broude Brothers (1978) view print preview
Newton 1968 Paul G. Newton, 'Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Basevi 2439: Critical Edition and Commentary', Ph.D. diss., Denton, TX: North Texas State University (1968). view print preview
Noblitt 1989 Thomas L. Noblitt, Tricinia: tum veterum tum recentiorum in arte musica symphonistarum, Latina, Germanica, Brabantica et Gallica, 1542 (= Georg Rhau: Musikdrucke aus den Jahren 1538 bis 1545 in praktischer Neuausgabe), Kassel: BĂ€renreiter (1989) view print preview
Odhecaton A Petrucci, Ottaviano: Harmonice musices odhecaton A / Ottaviano Petrucci. - Facs. of the Venice, 1504 ed., New York: Broude Brothers (1973). view print preview
Owens 1986 Jessie A. Owens, KrakĂłw, Biblioteka JagiellĂłnska, Glogauer Liederbuch, 3 vols. (Renaissance Music in Facsimile, 6), New York & London: Garland (1986). view print preview
Pannella 1965 Liliana Pannella, ‘Jouly mariner, un’antica «chanson». Alcuni momenti della sua storia e sua sopravvivenza nella tradizione popolare odierna’, Lares, 31 (1965), 151-84. view print preview
Paris & Gevaert 1875 Gaston Paris & Auguste Gevaert (eds.), Chansons du XVe siĂšcle publiĂ©s d’aprĂšs le manuscrit de la BibliothĂšque Nationale de Paris, Paris : Firmin Didot & Cie (1875). view print preview
Pease 1959 Edward J. Pease, 'An Edition of the Pixérécourt Manuscript: Paris, BibliothÚque Nationale, Fonds Fr. 15123', 2 vols., Ph. D. diss., Bloomington: Indiana University (1959). view print preview
Pease 1960 Edward J. Pease, Music from the Pixérécourt Manuscript: A Modern Edition of Twelve Compositions from Paris, BibliothÚque Nationale, Ms. Fonds français 15123, Ann Arbor, MI: UMI Research Press (1960). view print preview
Pease 1966 Edward Pease, ‘A Report on Codex Q16 of the Museo internazionale e Biblioteca della musica’, Musica Disciplina 20 (1966), 57-94. view print preview
Perales de la Cal 1977 RamĂłn Perales de la Cal, Cancionero de la Catedral de Segovia. EdiciĂłn facsimilar del CĂłdice de la Iglesia de la Santa Catedral de Segovia, Segovia: Caja de Ahorros y Monte de Piedad (1977). view print preview
Perkins & Garey 1979 Leeman L. Perkins & Howard H. Garey (eds.), The Mellon Chansonnier, New Haven and London: Yale University Press (1979). view print preview
Perkins 1982 Leeman L. Perkins, “The Mellon Chansonnier as a Central European Source”, in: Anna Czekanowska (ed.), Musica antiqua. VI: Acta scientifica (= Musica Antiqua Europae Orientalis, 6), Bydgoszcz: Filharmonia Pomorska im. Ignacego Paderewskiego (1982), pp 651-67 view print preview
Perkins 1999 Leeman L. Perkins, ‘Conflicting Attributions and Anonymous Chansons in the ‘Busnoys’ Sources of the Fifteenth Century’, in Paula Higgins (ed.), Antoine Busnoys: Method, Meaning and Context in Late Medieval Music, Oxford: Clarendon Press (1999), 317-58. view print preview
Pfisterer 2012 Andreas Pfisterer, ‘Chanson combinative und Volksliedsatz: Zu einem Liedtypus bei Isaac und Senfl’, in Stefan Gasch, Birgit Lodes & Sonja Tröster (eds.), Senfl-Studien I (Wiener Forum fĂŒr Ă€ltere Musikgeschichte, 4), Tutzing: Hans Schneider (2012), 209-21. view print preview
Picker 1965 Martin Picker, The Chanson Albums of Marguerite of Austria, a Critical Edition and Commentary, Berkeley: University of California Press (1965). view print preview
Picker 1973 Martin Picker, review of Dragan Plamenac (ed.), Dijon: BibliothĂšque publique, manuscript 517 (Publications of Medieval Musical Manuscripts, XII) Brooklyn, NY: Institute of Mediaeval Music (1970), Journal of the American Musicological Society, 26 (1973), 336-40. view print preview
Picker 1988 Martin Picker, Chansonnier of Marguerite of Austria. Brussel, Koniklijeke Bibliotheek, MS. 11239, 2nd edition, Peer: Alamire (1988). view print preview
Plamenac 1951 Dragan Plamenac, 'A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville-I', The Musical Quarterly, xxxvii/4 (1951), 501-42. view print preview
Plamenac 1954 Dragan Plamenac, ‘The Second Chansonnier of the Biblioteca Riccardiana (Codex 2356)’, Annales Musicologiques, 2 (1954), 105-87. view print preview
Plamenac 1956 Dragan Plamenac, ‘A Postscript to “The Second Chansonnier of the Biblioteca Riccardiana”’, Annales Musicologiques, 4 (1956), 261-5. view print preview
Plamenac 1962 Dragan Plamenac (ed.), Faksimile-Ausgabe der Handschriften Sevilla 5-I-43 & Paris N. A. Fr. 4379 (Pt. 1) / Facsimile Reproduction of the Manuscripts Sevilla 5-I-43 & Paris N. A. Fr. 4379 (Pt. 1) (Veröffentlichungen mittelalterlicher Musikhandschriften, 8 / Publications of Mediaeval Musical Manuscripts, 8), New York: Institute of Mediaeval Music (1962). view print preview
Plamenac 1970 Dragan Plamenac (ed.), Dijon: BibliothĂšque publique, manuscript 517 (Publications of Medieval Musical Manuscripts, 12), Brooklyn, NY: Institute of Mediaeval Music (1970). view print preview
Planchart 2003 Alejandro E. Planchart, ‘The Origins and Early History of L’homme armé’, Journal of Musicology, xx/3 (2003), 305-57. view print preview
Pogue 1969 Samuel F. Pogue, Jacques Moderne Lyons Music Printer of the Sixteenth Century, Geneva: Droz (1969) view print preview
Pogue 1975 Samuel F. Pogue, “Further Notes on Jacques Moderne”, Bibliothùque d’humanisme et Renaissance, 35 (1975), 245-8 view print preview
Pohlmann-Duffy 1995 Kathryn A. Pohlmann-Duffy, “The Jena Choirbooks: Musik and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony”, Ph.D. Diss.: University of Chicago (1995) view print preview
Poirier 2010 Le chansonnier de Françoise de Foix, Dame de Chùteaubriant : MS Harley 5242, Londres, British Library, ed. by Jean-Marie Poirier, Stuttgart: Cornetto (2010) view print preview
Polk 2005 Keith Polk (ed.), Tielman Susato and the Music of His Time: Print Culture, Compositional Technique and Instrumental Music in the Renaissance (= Bucina: The Historical Brass Society Series, 5), New York: Pendragon Press (2005) view print preview
Pope & Kanazawa 1978 Isabel Pope & Masakata Kanazawa (eds.), The Musical Manuscript Montecassino 871. A Neapolitan Repertory of Sacred and Secular music of the Late Fifteenth Century, Oxford: Oxford University Press (1978). view print preview
Powers 1994 Wendy J. Powers, 'The Music Manuscript Fondo Magliabechi XIX.178 of the Biblioteca Nazionale Centrale, Florence: A Study in the Changing Role of the Chanson in Late Fifteenth-Century Florence', Ph.D diss., New York: Columbia University (1994). view print preview
Priebsch 1901 Robert Priebsch, Deutsche Handschriften in England, Bd. 2, Erlangen: Verlag von Fr. Junge (1901). view print preview
Rahn 1978 Douglas J. Rahn, 'Melodic and Textual Types in French Popular Songs, ca. 1500', Ph.D. diss., Columbia University (1978). view print preview
Reidemeister 1973 Peter Reidemeister, Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts. Studien zur Form der Chanson im 15. Jahrhundert. Mit Faksimile und Erst-Edition der Unica der Handschrift, Munich: Musikverlag Emil Katzbichler (1973). view print preview
Rifkin 1973 Joshua Rifkin, ‘Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries’, Journal of the American Musicological Society, 26/2 (1973), 305-26. view print preview
Rifkin 1976 Joshua Rifkin, ‘Pietrequin Bonnel and Manuscript 2794 of the Biblioteca Riccardiana’, Journal of the American Musicological Society, 29 (1976), 284-96. view print preview
Robinson 1983-5 John O. Robinson, ‘Vienna, Austrian National Library, Manuscript 18810: A Repertory Study and Manuscript Inventory with Concordances’, Royal Musical Association Research Chronicle, 19 (1983-5), 68-84. view print preview
Robinson 2009 Alexander Robinson, ‘Le manuscrit Magdalene College "Pepys 1760" de Cambridge: un miroir de la cour française pendant le rĂšgne de Louis XII (1498-1515),’ Master 2 Dissertation: UniversitĂ© Paris IV Sorbonne (2009). view print preview
Robinson 2017 Alexander Robinson, “The Manuscript Cambridge, Magdalene College, Pepys 1760: A Mirror of the Court of Louis XII (1498-1515)”, Musica Disciplina, 60 (2017 for 2015), 7-65 view print preview
Rödiger 1935 Karl-Erich Rödiger, Die geistlichen Musikhandschriften der UniversitÀts-Bibliothek Jena, 2 vols. (= Claves Jenenses, 3): Jena: Frommann (1935) view print preview
Ros-FĂĄbregas 1992 Emilio Ros-FĂĄbregas, 'The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition', 2 vols., Ph.D. diss., New York (1992). view print preview
Saunders 1986 Suparmi E. Saunders, ‘The Dating of Trent 93 and Trent 90’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 60-83. view print preview
Schavran 1978 Henrietta Schavran, 'The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy circa 1440-1480', Ph. D. diss., 2 vols., New York: New York University (1978). view print preview
Schreurs 1987 Eugeen Schreurs (ed.), Collection of German, French and Instrumental Pieces: Wien, Österreichische Nationalbibliothek, MS 18810, Peer: Musica, Alamire (1987). view print preview
Seay 1978 Albert Seay (ed.), Johannes Tinctoris opera theoretica, IIa. Proportionale musices (Corpus Scriptorum de Musica, 22), Neuhausen-Stuttgart: American Institute of Musicology / HĂ€nssler Verlag (1978). view print preview
Self 1996 Stephen Self (ed.), The Si Placet Repertoire of 1480-1530 (Recent Researches in the Music of the Renaissance, 106), Madison, Wisc.: A-R Editions (1996). view print preview
Sherr 1977 Richard Sherr, “Notes on Two Roman Manuscripts of the Early Sixteenth Century”, The Musical Quarterly, 63 (1977), 48-73 view print preview
Sherr 1996 Richard Sherr, Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries (Renaissance Manuscript Studies 5), (Neuhausen/Stuttgart: American Musicological Society (1996) view print preview
Shipp 1960 Clifford M. Shipp, 'A Chansonnier of the Dukes of Lorraine: The Paris Manuscript fonds français 1597', Ph. D. diss., Denton: North Texas State College (1960). view print preview
Slavin 1990 Dennis Slavin’, ‘On the Origins of Escorial IV.a.24 (EscB)’, Studi musicali, 19 (1990), 259–303. view print preview
Smith 1980 William L. Smith, ‘An Inventory of Pre-1600 Manuscripts, Pertaining to Music, in the Bundesstaatliche Studienbibliothek (Linz, Austria)’, Fontes Artis Musicae, 27 (1980), 162-71. view print preview
Smith 1995 A. William Smith (transl. & ed.), Fifteenth-Century Dance and Music: Twelve Transcribed Italian Treatises and Collections in the Tradition of Domenico da Piacenza, 2 voll., Stuyvesant, NY: Pendragon Press (1995). view print preview
Smithers 1970 Don Smithers, ‘A Textual-Musical Inventory and Concordance of Munich University MS 328-331', Royal Musical Association Research Chronicle, 8 (1970), 34-89. view print preview
Southern 1966 Eileen Southern, ‘Basse Danse Music in Some German Manuscripts of the 15th Century’, in Jan LaRue (ed.), Aspects of Medieval and Renaissance Music, New York: Norton (1966), 738-55. view print preview
Southern 1969 Eileen Southern, ‘El Escorial, Monastery Library, Ms. IV.a.24’, Musica Disciplina, 23 (1969), 41–79. view print preview
Staehelin 1986 Martin Staehelin, ‘Trienter Codices und Humanismus’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 158-69. view print preview
Staehelin 2005 Martin Staehelin, “Zum VerhĂ€ltnis der drei Canti-Drucke Ottaviano Petruccis zur gleichzeitigen handschriftlichen Überlieferung”, in: Patrizia Dalla Vecchia (ed.) & Marino Zorzi (pref.), Venezia 1501: Petrucci e la stampa musicale/Venice 1501: Petrucci, music, print and publishing, Venice: Fondazione Ugo & Olga Levi (2005), 677-9 view print preview
Strohm 1984 Reinhard Strohm, ‘Native and Foreign Polyphony in Late Medieval Austria’, Musica Disciplina, 38 (1984), 205-30. view print preview
Thibault & Fallows 1991 GeneviÚve Thibault & David Fallows (eds.), Chansonnier de Jean de Montchenu (Publications de la Société Française de Musicologie, I/23), Paris: Société Française de Musicologie (1991). view print preview
Thibault 1957 GeneviĂšve Thibault, ‘Notes sur quelques chansons normandes du manuscrit de Bayeux’, in: La musique et les musiciens en Normandie. MĂ©langes du XIIe au XVIIe siĂšcle, ed. by Norbert Dufourcq (= Études normandes 83), Rouen: Association d’études normandes (1957), 232-4 view print preview
Thomas 1972 Bernard Thomas (ed.), Seven Double Canons for Four Instruments (The Renaissance Band, 2), London: London Pro Musica Edition (1972). view print preview
Van den Borren 1939 Charles Van den Borren, ‘A proposito del codicetto Vat. Lat. 11953’, Note d’Archivio per la storia musicale, 16 (1939), 17-8. view print preview
VĂ€terlein 1981 Christian VĂ€terlein, Das Glogauer Liederbuch (Das Erbe deutscher Musik, 85 & 86), Kassel: BĂ€renreiter (1981). view print preview
Warburton 1983 Thomas Warburton, ‘Sicher’s “Johannes Zela zons plus”: A Problem in Identity’, Acta Musicologica, 55 (1983), 74-89. view print preview
Warmington 1993 Flynn Warmington: ‘The Missing Link: the Scribe of the Berlin Chansonnier in Florence’, in Piero Gargiulo (ed.), La musica a Firenze al tempo di Lorenzo il Magnifico: congresso internazionale di studü, Firenze, 15-17 giugno 1992 (Quaderni della Rivista Italiana di Musicologia / Società Italiana di Musicologia 30), Florence: Olschki (1993), 63–8. view print preview
Weiss 1988 Susan F. Weiss, ‘Bologna Q 18: Some Reflections on Content and Context’, Journal of the American Musicological Society, xli/1 (1988), 63–101. view print preview
Wexler 1970 Richard Wexler, ‘Newly Identified Works by Bartolomeo degli Organi in the MS Bologna Q 17’, Journal of the American Musicological Society, 23 (1970), 107-18. view print preview
Wexler 1997 Richard Wexler, ‘Ockeghem and Politics’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, XLVII/1 (1997), 5-32. view print preview
Wolff 1970 Arthur S. Wolff, 'The Chansonnier Biblioteca Casanatense 2856: its History, Purpose, and Music', Ph. D. diss., Denton: North Texas State University (1970). view print preview
Wright 1995 Peter Wright, ‘Paper Evidence and the Dating of Trent 91’, Music & Letters, 76 (1995), 487-508 view print preview
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Melodies - Sources - Libraries - Bibliography