Short Title	Full Title
	Adams 1987	Courtney S. Adams, ‘The Early Chanson Anthologies Published by Pierre Attaingnant (1528-1530)’, The Journal of Musicology, 5/4 (1987), 526-48.
	Alden 2010	Jane Alden, Songs, Scribes, and Society. The History and Reception of the Loire Valley Chansonniers (The New Cultural History of Music, series ed. Jane F. Fulcher), Oxford: Oxford University Press (2010).
	Anglés 1941	Higini Anglés (ed.), Monumentos de la Musica Española, I, Polifonía religiosa, Madrid: Ministerio de Educación (1941), 112-5.
	Atlas 1975-6	Allan W. Atlas, The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana C.G.XIII.27), Brooklyn, NY: Institute of Mediaeval Music (1975-6).
	Atlas 1977	Allan W. Atlas, ‘On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20)’, Musica Disciplina, 31 (1977), 45-105.
	Atlas 1978	Allan W. Atlas: ‘La provenienza del manoscritto Berlin 78.C.28: Firenze o Napoli?’, in Rivista Italiana di Musicologia, XIII (1978), 10–29.
	Barret 1981	Charles E. Barret, 'A Critical Edition of the Dijon Chansonnier: Dijon, Bibliothèque de la ville, MS 517 (ancient 295)', Ph.D. diss., Nashville, TN: George Peabody College for Teachers of Vanderbilt University (1981).
	Becherini 1942-3	Bianca Becherini, ‘Alcuni canti dell’ “Odhecaton� e del codice fiorentino 2794’, Bulletin de l’Institut historique belge de Rome, 42 (1942-3), 327-48.
	Becherini 1950	Bianca Becherini, ‘Autori minori nel codice fiorentino Magl. XIX, 176’, Revue Belge de Musicologie, 4 (1950), 19-31.
	Becherini 1959	Bianca Becherini, Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze, Kassel - Basel - London - New York: Bärenreiter (1959), 42-4.
	Bellingham 1980	Bruce Bellingham (ed.), Bicinia gallica, latina, germanica. Tomus I, II. 1545 (= Georg Rhau, Musikdrucke, 6), Kassel: Bärenreiter (1980)
	Bent 1986	Margaret Bent, ‘Trent 93 and Trent 90: Johannes Wiser at Work’, in Nino Pirrotta & Danilo Curti (eds.), I codici musicali trentini. Atti del Convegno Laurence Feininger, la musicologia come missione, Trento, Castello del Buonconsiglio, 6-7 settembre 1985, Trent: Provincia Autonoma di Trento (1986), 84-111.
	Bernstein 1973	Lawrence F. Bernstein, ‘La Courone et fleur des chansons a troys: A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano’, Journal of the American Musicological Society, 26/1 (1973), 1-68.
	Bernstein 1978	Lawrence F. Bernstein, ‘The “Parisian Chanson�: Problems of Style and Terminology�, Journal of the American Musicological Society, 31/2 (1978), 193-240.
	Bernstein 1982	Lawrence F. Bernstein, ‘Notes on the Origin of the Parisian Chanson’, Journal of Musicology, 1 (1982), 275-326.
	Bernstein 1984	Lawrence F. Bernstein (ed.), La couronne et fleur des chansons a troys, 2 vols. (= Master and Monuments of the Renaissance, 3), New York, NY: The Broude Trust (1984)
	Bernstein 1990	Lawrence F. Bernstein, ‘Melodic Structure in the Parisian Chanson: A Preliminary Study in the Transmission of a Musical Style’, in Eugene K. Wolf and Edward H. Roesner (eds.), Studies on Musical Sources and Style: Essays in Honor of Jan LaRue, Madison, WI: A-R Editions (1990), 121-89.
	Bernstein 2001	Lawrence F. Bernstein, ‘Chansons for Five and Six Voices’, in Richard Sherr (ed.), The Josquin Companion, Oxford & New York: Oxford University Press (2001), 393-422.
	Birkendorf 1994	Rainer Birkendorf, Der Codex Pernner. Quellenkundliche Studien zu einer Musikhandschrift des frühen 16. Jahrhunderts (Regensburg, Bischöfliche Zentralbibliothek, Sammlung Proske, Ms. C 120), 3 vols. (Collectanea Musicologica, 6/I-III), Augsburg: Wissner (1994).
	Birkendorf 1998	Rainer Birkendorf, ‘Bemerkungen zur Entstehung des Codex Pernner: Regensburg, Bischöfliche Zentralbibliothek, Cod. ms. C 120’, in Martin Staehelin (ed.), Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert (Quellenstudien zur Musik der Renaissance, 3; Wolfenbütteler Forschungen, 83), Wiesbaden: Harassowitz (1998), 170-7.
	Birmingham 1955	Hugh M. Birmingham Jr., 'A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance', Master diss., Denton: North Texas State College (1955).
	Blackburn 1981	Bonnie J. Blackburn, ‘Two “Carnival Songs� Unmasked: A Commentary on MS Florence Magl. XIX. 121, Musica Disciplina, 35 (1981), 121-78.
	Boorman 1977	Stanley Boorman, ‘The “First� Edition of the Odhecaton A’, Journal of the American Musicological Society, 30 (1977), 183-207.
	Boorman 2006	Stanley Boorman, Ottaviano Petrucci: catalogue raisonné, Oxford: Oxford University Press (2006).
	Bosi 2004	Carlo Bosi, 'The Secular Works of Du Fay and Binchois: Melody, Mode, Sonority', Ph. D. diss., Oxford: University of Oxford (2004)
	Bosi 2017	Carlo Bosi “Zu Stil und Form einstimmiger Melodien um 1500 – Einige Fälle in den Pariser monophonen Chansonniers�, in: Creatio ex unisono: Einstimmige Musik im 15. und 16. Jahrhundert, ed. by Nicole Schwindt (= troja, Jahrbuch für Renaissancemusik, 13), 2017 for 2014, 81-103
	Bosi 2021	Carlo Bosi, “Espérance or: New Insights into the Origins of the Chansonnier de Bayeux“, Musicologica Austriaca (2021), http://www.musau.org/parts/neue-article-page/view/93;
	Bosi, Modal Usage, 2005	Carlo Bosi, ‘Modal Usage in the Secular Works of Du Fay’, in Revue Belge de Musicologie, 59 (2005), 5-42.
	Bosi, Tant que mon/nostre argent dura, 2005	Carlo Bosi, ‘Tant que mon/nostre argent dura: Die Überlieferung und Bearbeitung einer ‚populären’ Melodie in fünf mehrstimmigen Sätzen’, Acta Musicologica, lxxvii/2 (2005), 205-28.
	Brauner 1987	Mitchell P. Brauner, ‘The Manuscript Verona, Accademia Filarmonica, B 218 and Its Political Motets’, Studi Musicali, 16 (1987), 3-12.
	Bridgman 1984	Nanie Bridgman, ‘Paroles et musique dans le manuscrit Latin 16664 de la Bibliothèque Nationale de Paris’, in Ursula Günther & Ludwig Finscher (eds.), Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts (Göttinger musikwissenschaftliche Arbeiten, 10), Kasel - Basel - London: Bärenreiter (1984), 383-409.
	Brobeck 2016	John T. Brobeck, “A Music Book for Mary Tudor, Queen of France�, Early Music History, 35 (2016), pp. 1-93
	Brown 1959	Howard M. Brown, ‘The Chanson rustique: Popular Elements in the 15th- and 16th-Century Chanson’, Journal of the American Musicological Society 12 (1959), 16-26.
	Brown 1963	Howard M. Brown, Music in the French Secular Theater, 1400-1550, Cambridge, MA: Harvard University Press (1963).
	Brown 1964	Howard M. Brown, ‘The Genesis of a Style: The Parisian Chanson, 1500-1530’, in James Haar (ed.), Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961, Cambridge, MA: Harvard University Press (1964), 1-36.
	Brown 1967	Howard M. Brown, ‘Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442’, in Jan La Rue (ed.) Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, London & New York: Oxford University Press (1967).
	Brown 1968	Howard M. Brown, ‘The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442)’, Acta Musicologica, 40 (1968), 115-29.
	Brown 1970	Howard M. Brown, ‘The Transformation of the Chanson at the End of the Fifteenth Century’, in Dragotin Cvetko (ed.), Report of the Tenth Congress of the International Musicological Society, Ljubljana 1967, Kassel: Bärenreiter (1970), 78–94.
	Brown 1981	Howard M. Brown, 'Words and Music in Early l6th-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442', in Ludwig Finscher (ed.), Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez (Wolfenbütteler Forschungen, 6), Munich: Kraus (1981), 7-141.
	Brown 1983	Howard M. Brown, “A ‘New’ Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report�, Musica Disciplina, 37 (1983), 171-233
	Brown 1985	Howard M. Brown: ‘Josquin and the Fifteenth-Century Chanson’, Proceedings of the British Academy, 71 (1985), 119–58.
	Brown 1987	Howard M. Brown (ed. & intr.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a (= Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York: Garland (1987)
	Brown 1988	Howard M. Brown, Cambridge, Magdalen College, Pepys 1760 (Renaissance Music in Facsimile), London: Routledge (1988).
	Brown, A "New" Chansonnier, 1983	Howard M. Brown, ‘A “New� Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report’, Musica Disciplina, 37 (1983), 171-233
	Brown, Banco Rari 229, 1983	Howard M. Brown (ed.), A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale, MS Banco Rari 229, 2 vols.(Monuments of Renaissance Music, 7) Chicago and London: The University of Chicago Press (1983).
	Brown, Florence 164-7, 1987	Howard M. Brown (ed.), Florence, Biblioteca Nazionale Centrale, MSS Magl. XIX. 164-167, 4 vols. (Renaissance Music in Facsimile, 5), New York: Garland (1987).
	Brown, London 20.A.XVI, 1987	Howard M. Brown (ed.), London, British Library, MS Royal 20.A.XVI (Renaissance Music in Facsimile: Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 10), London & New York: Garland Publishing (1987).
	Brown, Uppsala 76a, 1987	Howard M. Brown, (ed. & intr.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a (Renaissance Music in Facsimile, Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York: Garland (1987).
	Bukofzer 1942	Manfred Bukofzer, ‘An Unknown Chansonnier of the 15th Century’, Musical Quarterly, 28 (1942), 14–49.
	Bush 1946	Helen E. Bush: ‘The Laborde Chansonnier’, Papers of the American Musicological Society, Annual Meeting 1940, Richmond, VA (1946), 56–79.

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